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Event 07: Women's songs - Bailhongal - Cradling (naming) ceremony song - transcription and translation

Description:
Translation and analysis of a song recorded by Arnold Adriaan Bake in 1938: archive, no. 68.6, titled "Lullaby." Krishnaiah identifies the work as a "Cradling Ceremony (naming ceremony) song." The song was played back during a recording session of the Bake Restudy Project in 1984 when Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned to the original sites of Arnold Adriaan Bake’s 1938 fieldwork in South India (Tamilnadu, Kerala, and Karnataka) in order to solicit responses to Bake’s photographs and audio recordings of various Indian performance traditions in an examination of continuity and change. Transcription by Sarvamangala Honnappa; translation and analysis is by S.A. Krishnaiah.
Date:
2024
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 07: Women's songs - Bailhongal - Cradling (naming) ceremony song - transcription and translation

Event 07: Women's songs - Bailhongal (video recording)

Description:
Five Kanarese songs performed by women of the Holeya community of agricultural farmers and Yellamma cult devotees at a playback session of 1938 A. A. Bake recordings. The main instrument is voice. The performers include Basavva Bhimshappa Bharamannavar, Gangavva Shivappa Bharamannavar, ayamavva Phakirappa Bharamannavar, Bhimavva Yallappa Bharamannavar, and Phakirava Basappa Bharamannavar. The session was arranged by Chandrakanta Kusanoor, a writer, poet and painter, and Kalpana Bandiwdekar, and Kalpana Bandiwdekar, archive assistant at the Archives and Research Centre for Ethnomusicology. Chandrakanta Kusanoor interviewed the performers during the recording event.<br/><br/>1. Lullaby: four voices. <br/><br/>2. Women's songs. (08:17). Playback of of the 1938 A. A. Bake recording "Lullaby" which was performed by two women from Wadagaum. The song has been identified as a "Cradling ceremony (naming ceremony)" song (S.A. Krishnaiah). (12:16) Performance of a puberty rituals folk song. The song begins with the refrain "So o (a) ninga..." a phrase having the meaning to stay blessed (S.A. Krishnaiah). (20:53) Playback of Bake 68.7 "Adorning the bridal couple with turmeric, Kanarese wedding," performed by two women. As the women listen to Bake's recording, (23:17) Chandrakanta Kusanoor, the local scholar-guide, interrupts saying "One minute please," after which the women sing the same song exactly as heard on the tape (22:35). <br/><br/>3. Sōbānepada song (23:35) - one of the types of songs sung on the occasion of marriage - is performed (S.A. Krishnaiah). The event, in this case, is suggested by the Bake song that is played back (29:00): Bake 68.8 "Homecoming of the bride" performed by two women. <br/><br/>4. ‘Biisoo pada’ - Grinding song. Playback of Bake 68.5 "Grinding song" performed by two girls. Followed by a performance of a Grinding Song: "Bangārala." Listening to the playback (36:17), the performers respond to the music the music and begin to sing. During Event 03: Women's songs - Kanbargi, for Item 1, the performers sang a grinding song similar to Bake 68.5 "Grinding song," but with a different tune.<br/><br/> 5. (35:27) Playback of Bake 70.1 "Song for women in their seventh month" performed by women from Wadagaum. (36:18) Followed by a performance of a seventh month of pregnancy song: "Arjunanā satina galu garbhini nathalu" (Arjuna's wife is pregnant). (40:56) Then Bake 70.1 is played back, again. During the playback the looks of recognition of the song can be seen on the women's faces. The song describes the cravings experienced by the woman through the 8th month of her pregnancy. The first month, whatever she wants, a single item is fulfilled. Second Month, she has two desires. The third month, she desires thirty “muvada (moodaka) cakkulis” (a ring-shaped, fried item made of rice). The fourth month, she desires piriṭōḷigina (pēṭiyoḷagina) (prepared in the city) dvaasey (doose). The fifth Month she wants “malligi dandi” (fresh Jasmin flower woven) and desires tiniṭ'hōḷigi (‘hōḷige’), sweet pan cake. The sixth month she desires “agrada hoolige,” a sweet milk dish. The seventh month a traditionally woven saree is desired; it is her wish. The eighth month she craves sunti, (ginger), eelakki, (cardmom), and tuppa (ghee) food. The ninth month, she completes her pregnancy and gives birth to a son (S.A. Krishnaiah).
Date:
February 21, 1984
Resource Type:
moving image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 07: Women's songs - Bailhongal (video recording)

Event 70: Dr. Kota Shivaram Karanth, interview - Saligram: interview transcript

Description:
Transcript of an interview of Kota Shivaram Karanth, an Indian polymath, a novelist and playwright in the Kannada language. The author of 417 books, he was decorated with the Jnanpith Award for Kannada, the highest literary honor conferred in India. He was also an artist of the Yakshagana (Yakṣagāna) theater form, and could sing, dance and play various musical instruments. This interview is Event 70 of the Arnold Adriaan Bake Restudy Project 1984. During this interview, Karanth discusses Yakshagana, describes the meetings that he had in India with Bake, listens to pieces of music recorded by Bake in 1938 as part of his fieldwork in India, and discusses the music with ethnomusicologists Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy. These exchanges lead to broader discussions about the music, dance and theater traditions in South India. Leela Alva Karanth, wife of Kota Shivaram Karanth, participates in the interview.
Date:
April 19-20, 1984
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 70: Dr. Kota Shivaram Karanth, interview - Saligram: interview transcript

Event 07: Women's songs - Bailhongal - Seventh Month song - transcription and translation

Description:
Translation of a "Seventh month song" performed during a recording session titled "Event 07: Women's songs - Bailhongal." The song was transcribed by Sarvamangala Honnappa. The recording was created during the Bake Restudy Project in 1984 when Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned to the original sites of Arnold Adriaan Bake’s 1938 fieldwork in South India (Tamilnadu, Kerala, and Karnataka) in order to solicit responses to Bake’s photographs and audio recordings of various Indian performance traditions in an examination of continuity and change. The performers listened to a song from the 1938 Arnold Adriaan Bake archive, no. 70.1 "Song for women in their seventh month" performed by women from Wadagaum, then performed the song, "Seventh month song - "Arjunanā satina galu garbhini nathalu" (Arjuna's wife is pregnant). Transcription by Sarvamangala Honnappa; translation and analysis by S.A. Krishnaiah.
Date:
2024
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 07: Women's songs - Bailhongal - Seventh Month song - transcription and translation

Event 07: Women's songs - Bailhongal - Puberty Rituals folk song - transcription and translation

Description:
Translation of a song performed during a recording session titled "Event 07: Women's songs - Bailhongal." The recording was created during the Bake Restudy Project in 1984 when Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned to the original sites of Arnold Adriaan Bake’s 1938 fieldwork in South India (Tamilnadu, Kerala, and Karnataka) in order to solicit responses to Bake’s photographs and audio recordings of various Indian performance traditions in an examination of continuity and change. Transcription by Sarvamangala Honnappa; translation and analysis is by S.A. Krishnaiah.
Date:
2024
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 07: Women's songs - Bailhongal - Puberty Rituals folk song - transcription and translation

Event 07: Women's songs - Bailhongal - Grinding song - transcription and translation

Description:
Translation of a song about grinding grain performed during a recording session titled "Event 07: Women's songs - Bailhongal." The recording was created during the Bake Restudy Project in 1984 when Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned to the original sites of Arnold Adriaan Bake’s 1938 fieldwork in South India (Tamilnadu, Kerala, and Karnataka) in order to solicit responses to Bake’s photographs and audio recordings of various Indian performance traditions in an examination of continuity and change. Transcription by Sarvamangala Honnappa; translation and analysis by S.A. Krishnaiah.
Date:
2024
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 07: Women's songs - Bailhongal - Grinding song - transcription and translation

Event 08: Gīgīpada - Bailhongal

Description:
Gīgīpada is a form heard at festivals and for entertainment at happy, auspicious occasions. Songs that were recorded on video during this event were performed by Gīgīpada singers of the Holeya community who sing mystical songs, auspicious songs, and modern songs on sanitation and cleanliness of body and mind. The performers are: Ramachandra Ramappa Dhavale (of Tigadi Galli, voice and daf), Yerappa Basavappa Sutagaji (of Kalma Galli, voice and taal or jhāñjh cymbals); and Basappa Gagappa Talwar (Talwar Galli, voice and tuṇtuṇe). <br/><br/>1. Gīgīpada (Gīgī Pada): "Sharanam sharanambe Bhavani" Take Refuge in the Goddess." Composer: Hulkund Pasappa, who was active in 1955. <br/><br/>2. Gīgīpada (Gīgī Pada): "Sovvesuvanari sudanayanada bisane vabhavalla." This song invokes Bhavani, the Goddess, in Kannada language. A mystical song sung at festivals. Composer: Purandaradāsa (Purandara Dasa) (1484-1564), a Haridasa philosopher, composer, singer and one of the founders of Carnatic music.
Date:
February 21, 1984
Resource Type:
moving image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 08: Gīgīpada - Bailhongal

Event 09: Krishna Pārijāt - Bailhongal

Description:
Krishna Pārijāta is a Kannada folk drama form of northern Karnataka, an enactment of the folk tale about Lord Krishna, his two wives, and the magical parijat tree, that is typically performed upon invitation by the Holeya community at festivals. This is an arranged performance, an excerpt of 13 of the songs, by the Mallava Megeri Krishna Pārijāta Company. Artist and/or facilitator Chandrakanth Kusnoor said it was created by a Muslim playwright. The main performers include Mallava Megeri (troupe leader), Mallakajappa Mallappa Gaddankeri (Krishna), and Gudusab Nadat Khajidoni. The accompanying musicians are Krishnaji Varad Tulasigiri (tablā), Hanamant Mastar (hmnm / harmonium with foot pump), and Ramanna Sonshi (taal).
Date:
February 21, 1984
Resource Type:
sound recording
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 09: Krishna Pārijāt - Bailhongal

Event 70: Dr. Kota Shivaram Karanth, interview - Saligram

Description:
Dr. Kota Shivaram Karanth was interviewed by Nazir Ali Jairazbhoy over two days at the Karanth home in Saligrama village, Bhramavara taluk, Udupi District, Karnataka. Also present were Leela Alva Karanth, wife of Kota Shivaram Karanth, and ethnomusicologist Amy Catlin-Jairazbhoy. The first day of the interview was recorded on audio cassette. This video records the second day. During the interview, pieces of music that were recorded by A. A. Bake in India in 1938 were played back to Dr. Karanth, who comments. He also discusses the meetings that he had with Bake in India.
Date:
April 19-20, 1984
Resource Type:
moving image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 70: Dr. Kota Shivaram Karanth, interview - Saligram

Event 07: Women's songs - Bailhongal - 'Sobane pada’ song - transcription and translation

Description:
Translation and analysis of two songs. A "Sōbānepada – Hasepadaa" song that was performed at a recording session titled "Event 07: Women's songs - Bailhongal" during the Bake Restudy Project in 1984, when Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy returned to the original sites of Arnold Adriaan Bake’s 1938 fieldwork in South India (Tamilnadu, Kerala, and Karnataka) in order to solicit responses to Bake’s photographs and audio recordings of various Indian performance traditions in an examination of continuity and change. After this song was was performed, a song recorded by in 1938 by Bake, number 68.8 "Homecoming of the bride," was played back to the performers. Transcription by Sarvamangala Honnappa; translation and analysis by S.A. Krishnaiah, with the coooperation of Dr. C.V. Navalagi-Gokaka and Dr. R.K.Marathe.
Date:
2024
Resource Type:
text
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 07: Women's songs - Bailhongal - 'Sobane pada’ song - transcription and translation