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गीत- जानकीबाई- 4, उदयपुर

Description:
Recording of songs sung by Mand singer, Janakibai with Tabla and Harmonium accompaniment. Mand is a court music tradition of Rajasthan. All of the songs on this recording belong to a genre of wedding songs known as 'Bannado' or 'Banna'. Bannado are wedding songs sung for the bridegroom or bride on a variety of themes praising the beauty and valour of the groom, themes of love and so on.1. 'Chalu to nirkhu tera jama hariyala bannada', a wedding song sung by Janakibai with Harmonium and Tabla accompaniment. 2. 'Mhari jori ra sirdar helo par dijosa', a wedding song, a wedding song sung by Janakibai with Harmonium and Tabla accompaniment. 3. 'Banna halo mandap maye lag rahi bijli gas', a wedding song sung by Janakibai with Harmonium and Tabla accompaniment. 4. 'Aj banno bannadi re nagar maye', a wedding song sung by Janakibai with Harmonium and Tabla accompaniment. 5. Ap toh kuni ji re mujlas aya banna', a wedding song sung by Janakibai with Harmonium and Tabla accompaniment. 6. 'Chandani jharokhe mharo hariyalo banno', a wedding song sung by Janakibai with Harmonium and Tabla accompaniment. 7. 'Janki kunwar raj re dusale', 8. 'Tel ne chameli champla varni ho raijada', 9. 'Bannadi savag banni ra aniyara bannada', a wedding song sung by Janakibai with Harmonium and Tabla accompaniment. 10. 'Banni thare karane mai avla parvat dakya sa', a wedding song sung by Janakibai with Harmonium and Tabla accompaniment. 11. 'Bannad dhupa pade re dharti tape re', a wedding song sung by Janakibai with Harmonium and Tabla accompaniment.
Date:
1980-1989
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
गीत- जानकीबाई- 4, उदयपुर

सेलाना- 4

Description:
Recordings of Gavri festival celebrations and performances at Selana village in Udaipur. The tape contains devotional songs, recording of excerpts of comic performances by performers of the Banjara community, and Dhak and Thali percussion.1. A narrative song about a character named Kalukir, with intermittent narration and conversations among the singers with Dhak, Thali and Manjira accompaniment. 2. 'Vish ka pyala dijo meera ke hath', a narrative song about the saint poet Meera sung by a group of male singers with Dhak, Thali and Manjira accompaniment. 3. 'Devi sivru sharada' a Stuti or a prayer dedicated to Sharada, a female deity sung by a group of male singers with Dhak, Thali and Manjira accompaniment. 4. Recording of a comic dramatic performance by performers from the Banjara community consisting of dialogues, singing and laughter from the audience. 5. 'Khodayi kuwa bawri ranga rajaji', a song sung by a group of male singers with Dhak, Thali and Manjira accompaniment. The song contains intermittent recitation of couplets by the male lead singer. 6. 'Devi stuti hindo hide', a devotional song dedicated to Navlakh devi, a local deity, sung by a group of male and a group of female singers as a duet with rhythmic clapping.
Date:
1981-01-28
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
सेलाना- 4

पुंगी

Description:
Field recording of a few instrumental melodies played on the Pungi by Surabhnath Jogi from Gujarat. This is followed by a series of 'Bidai' songs sung by a group of women of a tribal community of Rajasthan. Bidai songs are sung in farewell to the bride as she leaves her natal home.1. An instrumental rendition of the song 'Ompuri', played on the Pungi by Surabhnath Jogi. This is preceded by a brief self introduction by the artist. 2. An instrumental rendition of the song composed by Nathusingh Devra, played on the Pungi by Surabhnath Jogi. 3. An instrumental rendition of the song 'Panihari', played on the Pungi by Surabhnath Jogi. 4. 'Bidai' songs sung by a group of women with sounds of a woman crying in the background. Bidai songs are wedding songs sung during the departure of the bride from her house to her in-laws. 5. Instrumental percussion played on the Tankora and Dhol. 6. 'Bidai' songs sung by a group of women with sounds of a woman crying in the background. Bidai songs are wedding songs sung during the departure of the bride from her natal home.
Date:
1980-1989
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
पुंगी

CCRT Camp 1990 - 5

Description:
Recording of the proceedings of a music training camp for young boys of the Manganiar and Langa musician communities of Western Rajasthan. They are being trained by the masters of their own musical tradition. The recordings consist of various sessions of songs sung as part of the training by the children, as well as by the senior musician teachers. The sessions are conducted by Komal Kothari. This was held at the Rupayan Sansthan, Borunda, Rajasthan, with the support of the Centre for Cultural Resources and Training (CCRT).
Date:
1990-11-22
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
CCRT Camp 1990 - 5

Bajra Seminar 1989

Description:
Proceedings of a seminar on the topic of cultural, economic and social significance of pearl millets in India, held at Rupayan Sansthan, Borunda, with the support of Indira Gandhi National Centre for Arts, New Delhi. This tape contains two introductional speeches by Komal Kothari and Vaidyanath Saraswati, followed by a lecture presentation by Ajay Pratap.
Date:
1989-08-07
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
Bajra Seminar 1989

लोक गीत

Description:
Field recording of songs sung by two women, Jani and Sundar, of the Bhil community from Nathdwara, Rajasthan.1. 'Mhare behen ra behnoi aya pavna re', a song sung by two women of the Bhil community. 2. 'Mhare sasuri ro jaye re put', a song sung by two women of the Bhil community. 3. 'Nam nikalo piya ji', a song sung by two women of the Bhil community. 4. 'Bara maye baithi re kukkari', a song sung by two women of the Bhil community. 5. 'Nayi thanedar re', a song sung by two women of the Bhil community. 6. 'Havar mathe katariyo phool', a song sung by two women of the Bhil community.
Date:
1980-1989
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
लोक गीत

घर के गीत

Description:
Field recording of women's songs sung by a group of women. Most of these songs are either devotional or wedding songs.1. 'Khatira re beto athe bajotiyo', a song about an interaction between a woman and her sister in law, sung by a group of women. The song is followed by a conversation among the singers and Komal Kothari. 2. 'Aj suraj bhal ugyo', a love song sung by a group of women. 3. 'Nandal baisa rimjhim karta aiyo', a song about an interaction between a woman and her sister in law, sung by a group of women. 4. 'Mata angane', a devotional song dedicated to a female deity sung by a group of women. 4. 'Gandhi ka beta kisturi', a song sung by a group of women. 5. 'Har guthiyo mhari mai', a devotional song, dedicated to a female deity, sung by a group of women.
Date:
1980-1989
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
घर के गीत

कबीर भजन - हेतराम हरिजन

Description:
Bhajans or devotional songs composed by the saint poet Kabir, sung by Hetram Harijan of Jasana Village, Rajasthan, with Tandura, Manjira and Jhanjh accompaniment. Bhajan are devotional songs addressed to a particular deity or to God or a divinity in general. Kabir Bhajans are mostly dedicated to the formless or Nirgun god. After every song, the singer recites and elaborates on the lyrics of the Bhajan. This is known as Arthavan.
Date:
January 01 - December 31, 1994
Resource Type:
sound recording
Collection:
Recordings of Hereditary Musicians of Western Rajasthan
कबीर भजन - हेतराम हरिजन