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khutba

Description:
SWAHILI: Casseti hii ina khutba nne Upande A: 1.Umuhimu wa Mja kutubia kwa mwenyezi mungu. 2. Sifa za waja wa Rahman.<br>ENGLISH: This audiocassette contains four sermons side A:1 Repentance : 2,Characteristics of Servants of God/Allah
Date:
2004-2012
Resource Type:
sound recording
Collection:
Ustadh Mau Digital Archive (UMADA)
khutba

Khutba

Description:
SWAHILI: Casseti hii ina khutba mbili. Upande B: 2. Kushukuru neema za Mungu.<br>ENGLISH: This audiocassette contains two sermons. Side B: 2. Thanking Gods grace.
Date:
2004-2012
Resource Type:
sound recording
Collection:
Ustadh Mau Digital Archive (UMADA)
Khutba

Khutba

Description:
SWAHILI: Casseti hii ina khutba mbili. Upande A: 1. Kumpenda Mtume Mohamed.<br>ENGLISH: This audiocassette contains two sermons. Side A: 1. Loving the prophet Mohamed.
Date:
2004-2012
Resource Type:
sound recording
Collection:
Ustadh Mau Digital Archive (UMADA)
Khutba

Utenzi

Description:
SWAHILI: Casseti hii ina utenzi mmoja. Upande A: Haki za watoto kupata mama bora.<br>ENGLISH: This audiocassette contains one poem. Side A: 1. Childrens rights of having a better mother.
Date:
after 2001
Resource Type:
sound recording
Collection:
Ustadh Mau Digital Archive (UMADA)
Utenzi

Event 19: Nāyāndī Mēḷam - Usilampatty

Description:
Nāiyāndī Mēḷam ensemble (also known as Periya Nayanam ensemble; Kaliyappan Mela Cettu, Uṟumi Melam). The musicians include: A. K. Ganesan (tavil), I. P. Kurusāmi (nāgasvaram), M. Raman (tavil), Karutta Kannan (pambai), Kurusāmi (urumbi, urummi, uṟumi), unidentified (pambai, drum pair), unidentified (surpeṭī), unidentified (nāgasvaram), unidentified (tāḷam cymbals), and unidentified (timiri, small membranophone). 2. Rhythm & Instrument Demonstration. Saraswathi Swaminathan interviews the musicians about their instruments as they demonstrate the instruments. 3. Introduction of Musicians [Not included in the audio recording.] 4. Rāmar Kīrttanai. 5. Kirnaiyāndi. 6. Vannakkili (from a Tamil film). 7. "Laila O Laila" (from the Hindi film Qurbānī, 1982). 8.Arādhanā (from a Hindi film). 9. Kāvadi Cindu (folk song).
Date:
March 13, 1984
Resource Type:
sound recording
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 19: Nāyāndī Mēḷam - Usilampatty

Event 09: Krishna Pārijāt - Bailhongal

Description:
Krishna Pārijāta is a Kannada folk drama form of northern Karnataka, an enactment of the folk tale about Lord Krishna, his two wives, and the magical parijat tree, that is typically performed upon invitation by the Holeya community at festivals. This is an arranged performance, an excerpt of 13 of the songs, by the Mallava Megeri Krishna Pārijāta Company. Artist and/or facilitator Chandrakanth Kusnoor said it was created by a Muslim playwright. The main performers include Mallava Megeri (troupe leader), Mallakajappa Mallappa Gaddankeri (Krishna), and Gudusab Nadat Khajidoni. The accompanying musicians are Krishnaji Varad Tulasigiri (tablā), Hanamant Mastar (hmnm / harmonium with foot pump), and Ramanna Sonshi (taal).
Date:
February 21, 1984
Resource Type:
sound recording
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 09: Krishna Pārijāt - Bailhongal

Event 10: Haranśikārī chant - Hubli

Description:
Chandappa Jampana Kattimani (age 60) interview (02:51-07:31) and chanting at the Ashoka Hotel, near the former Hubli Free Settlement, locally known as "Gangadhar Nagar" (previously a Criminal Tribe Settlement, and once part of Gangadhar Nagar, Herepet, Hubli, Karnataka 580020). Kattimani was a Haranśikārī (Haranshikari) who won his seat as Municipal Corporator in 1967 as per the Scheduled Tribe Order of 1950 through a court. He was the leader of all of the Haranśikārīs, including those who had migrated to other states. The language spoken by Haranśikārī people is Haranśikārī, a dialect of Pardhi, a Bhil adivasi language. Chanting in response to the 1938 A. A. Bake recording, Bake 64.3 "Haranshikari legends; the beginning and sequel to the story of Korabya" (clans). Also played back: Bake 64.4 "Haranshikari legends; the beginning and sequel to the story of Korabya" (clans); Bake 64.5 "Haranshikari; beginning of Saindhya story," 65.1 "Haranshikari; beginning of story of Icchotya," and Bake 65.2 "Haranshikari; Woman's song to God." These recordings were presumably given to Kattimani during the recording session. Kattimani showed Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy the cassette tapes he had made of his chants so that his descendants would remember them. He said that the genealogy chant was about his community going back 40 generations. Bake had verbal transcriptions made of the chants that had been done on cylinder and Tefi in 1932, 1937 and 1938. Nazir Jairazbhoy and Amy Catlin-Jairazbhoy had microfilm copies made of those transcriptions at SOAS University of London, now presumed to be in the British Library in London.
Date:
February 23, 1984
Resource Type:
sound recording
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 10: Haranśikārī chant - Hubli

Event 08: Gīgīpada - Bailhongal

Description:
Gīgīpada is a form heard at festivals and for entertainment at happy, auspicious occasions. Three songs that were recorded on audio during this event were performed by Gīgīpada (Gīgī Pada) singers of the Holeya community who sing mystical songs, auspicious songs, and modern songs on sanitation and cleanliness of body and mind. The "gi gi" refrain is not found in these songs. The performers are: The performers are: Ramachandra Ramappa Dhavale (of Tigadi Galli, voice and daf), Yerappa Basavappa Sutagaji (of Kalma Galli, voice and taal or jhāñjh cymbals); and Basappa Gagappa Talwar (Talwar Galli, voice and tuṇtuṇe). 1. "Sharanam sharanambe Bhavani" Take Refuge in the Goddess. The first "Gigi pada" song is an invocation of the Goddess, Bhavani, in the Kannada language. The refrain is "Sharanam sharanambe Bhavani" — "Take Refuge in the Goddess." Composer: Hulkund Pasappa, who was active in 1955. 2. "Sovvesuvanari sudanayanada bisane vabhavalla." Invokes Bhavani, the Goddess, in Kannada language. Composer: Purandaradāsa (Purandara Dasa) (1484-1564), a Haridasa philosopher, composer, singer and one of the founders of Carnatic music. 3. "Svachate kapada maneya tumba grabanda jadgooda." Composer: Hosur Somappa.
Date:
February 21, 1984
Resource Type:
sound recording
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 08: Gīgīpada - Bailhongal

Event 11: Bhāṭ dances and songs - Hubli

Description:
Bhāṭ women's dance, Rajasthani style, at the Hubli Free Settlement. The performers said that they are Kanjar Bhāṭ. They include Gopibai Sivlal (singer and dancer) and Ranjit (ḍholak). Items 5-7 were recorded on video cassette. 1. "Kamlivalo" refrain, performed. Same as the 1938 A. A. Bake recording, Bake 64.2 "Bhat dance with song," which was played back later. The performers said this is their song, sung at weddings just for enjoyment, and not part of the ceremony. 1.a. Kamlivalo" refrain performed a second time to record the words. Kamlivalo" means "the one wearing a blanket," referring to the Prophet Mohammed. "He sacrificed, gave us the Quran, gave us our faith." The singers were Hindu Bhats, but enjoyed singing and dancing to the song in Rajasthani style. 2. "Kamlivalo uska jo", sung in response to Bake 63.12 "Bhat dance with women's song." 3. Holi wedding song. One woman danced. The performers said they speak Hindi now, but are originally from Rajasthan and/or Gujarat. 4. Dhola Maru story. Holi song about Dhola Maru.
Date:
February 24, 1984
Resource Type:
sound recording
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 11: Bhāṭ dances and songs - Hubli

Event 24: Om Periyaswamy & Nāiyāndī Mēḷam - Madurai

Description:
1. Folk Tune Prelude, & 2. Music Prelude. Nāiyāndī Mēḷam ensemble plays two preludes before the dance and song performances begin. The musicians are Conai (urumbi (urummi, uṟumi) double-headed variable tension membranophone), Mukkasāmi, the leader, a Paraiyan (non-hereditary musician) from Karamattur (sattakolai multiple-reed aerophone with 10 holes), a drummer (small single-headed membranophone), Kalidasa (pambai double-headed membranophone pair), Venkatesan (tavil double-headed membranophone), and Cuppiramaniyan (tāḷam cymbals). 3. Poikkaal Kuthirai Aattam dance. Performed by Madurai Om Periyaswamy, son of Om Periyaswamy, and another dancer, each wearing a “false leg horse” or "dummy-horse” costume. 4 - 10. Karakāṭṭam, an acrobatic dance performed with pots balanced on the heads of the dancers, in praise of the rain goddess Mariamman. Dancers include daughters of Om Periyaswamy, Madurai Om Periyaswamy, and 1 other man. 11. Kāvadi dance performed by Cenatipati (son of Om Periyaswamy), followed by 12. Nāiyāndī Melam postlude with Arunachalam Pillai (nāgasvaram) and Sankarayya Pillai (ottu drone nāgasvaram) performing. At the end 13. Sattakolai (cattak kuḻāy) Demonstration. Performed by Mukkasāmi.
Date:
March 14, 1984
Resource Type:
sound recording
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 24: Om Periyaswamy & Nāiyāndī Mēḷam - Madurai