Search

Browse items

–

Current results range from 1962 to 1984

View distribution
  • University of California, Los Angeles. Ethnomusicology Archive✕[remove]157

Search Constraints

You searched for: Subject Aerophones ✖Remove constraint Subject: Aerophones Repository University of California, Los Angeles. Ethnomusicology Archive ✖Remove constraint Repository: University of California, Los Angeles. Ethnomusicology Archive
Start Over

157 Catalog Results

Number of results to display per page
View results as:
List Created with Sketch. List View List Gallery Created with Sketch. Gallery View Gallery

Search Results

Krishna Pārijāt - Mallava Megeri Krishna Pārijāta Company members pose for a group portrait, Bailhongal (India), 1984

Description:
On the day of an enactment of the folk tale about Lord Krishna, his two wives, and the magical pārijāt tree, the Mallava Megeri Krishna Pārijāta Company poses outdoors on a dhurrie carpet, with actors Shrimati Mallava Megeri, troupe leader, holding a doll; Gudusab Nadat Khajidoni; and Mallakajappa Mallappa Gaddankeri (Krishna); and with musicians Krishnaji Varad Tulasigiri (tablā); Hanuman Mastar (harmonium); and Ramanna Sonshi (taal).
Date:
February 21, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Krishna Pārijāt - Mallava Megeri Krishna Pārijāta Company members pose for a group portrait, Bailhongal (India), 1984

Om Periyaswamy with Nāiyāndī Mēḷam musicians with instruments at Tamilnadu Hotel, Madurai (India), 1984

Description:
Nāiyāndī Mēḷam musicians play in front of TamilNadu Hotel. From the left: Om Periyaswamy watches, in white kurta and lunghi; a man in white shirt stands behind him; a younger drummer in light blue shirt and white shawl plays a small single-headed membranophone with two sticks; Arunachalam Pillai (?) stands behind him; Conai plays urumbi (urummi, uṟumi) double-headed variable tension membranophone with curving stick to his right; Mukkasāmi plays a sattakulai (cattak kuḻāy) multiple-reed aerophone; Kalidasa, seen from the back, plays a pambai double-headed membranophone pair with two slightly curving sticks; Venkatesan plays tavil double-headed membranophone; and Cuppiramaniyan with hand taḷām cymbals, in a dark blue shirt and lunghi. The jeep of the Archives and Research Center for Ethnomusicology is visible behind the group.
Date:
March 14, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Om Periyaswamy with Nāiyāndī Mēḷam musicians with instruments at Tamilnadu Hotel, Madurai (India), 1984

Kota women dance in a line with Kota men musicians playing behind them, Kollimalai (India), 1984

Description:
Five Kota women dance: Thirti Seethalakshmi, Thirti Mari, Thirti Neeji, Thirti Rajanmal, and Thirti Deki. Kota men play Kota musical instruments. From left: Thiru Kavundhan (kombu curved horn); Thiru K. Puchan, age 70, and Thiru Kavundhan, age 60 ( koḷ double-reed aerophone); Thiru K. Mylan (tabaṭk frame drum); Thiru M. K. Bellan and Thiru Beddi (kinpar double-headed drum). A Kota family watches on the right. In the background are Kota houses with stripes and tile roofs are visible with large trees and hills beyond. This scene was used in the video referenced below.
Date:
April 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Kota women dance in a line with Kota men musicians playing behind them, Kollimalai (India), 1984

Om Periyaswamy with Nāiyāndī Mēḷam musicians at TamilNadu Hotel, Madurai (India), 1984

Description:
Arunachalam Pillai, a hereditary musician, plays a nāgasvaram quadruple-reed aerophone artist (4th from left); Sankarayya Pillai, a nāgasvaram soloist, (center) plays an ottu drone nāgasvaram. Om Periyaswamy (2nd from left); Kalidasa (in profile) plays a pambai drum pair (3rd from left); Venkatesan plays a pambai double-headed membranophone pair with two slightly curving sticks (7th from left); Cuppiramaniyan with hand talām cymbals, in a dark blue shirt and lunghi (6th from left); Mukkasāmi watches, holding a sattakulai (cattak kuḻāy) multiple-reed aerophone (8th from left); and other musicians watch. The jeep of the Archives and Research Center for Ethnomusicology stands behind the group.
Date:
March 14, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Om Periyaswamy with Nāiyāndī Mēḷam musicians at TamilNadu Hotel, Madurai (India), 1984

Om Periyaswamy with Nāiyāndī Mēḷam musicians with instruments, Madurai (India), 1984

Description:
Overhead shot of Nāiyāndī Mēḷam musicians. Mukkasāmi (center, seen from the back) plays a sattakulai (cattak kuḻāy) multiple-reed aerophone, and Conai plays urumbi (urummi, uṟumi) double-headed variable tension membranophone using a curved stick in his left hand. They interact facing each other. Behind them is a tamukku membranophone musician in a light blue shirt and white shawl. Kalidasa (left) plays a pambai membranophone pair, and a young musician (2nd from left) plays a small single-headed membranophone with two sticks. Om Periyaswamy (3rd from left) watches. Recorded outdoors near TamilNadu Hotel.
Date:
March 14, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Om Periyaswamy with Nāiyāndī Mēḷam musicians with instruments, Madurai (India), 1984

Ottan Thullal - B. C. Balachandar performs, Ayamkudy (India), 1984

Description:
Dancer B. C. Balachandar performs an episode from the Ottan Thullal solo dance drama Kalyana Sougandhikam (“Auspicious Fragrant Lily”). Musicians are behind him: a musician playing a mṛdaṅgam, a barrel shaped double-headed membranophone (seated, left), a singer and shruti peti musician (seated, center), a singer playing kai mani/jālra / taḷām cymbals (seated, right), a musician with an uḍukku variable tension hourglass drum (standing, right). Village children begin to appear to watch. Blurry shot due to camera movement.
Date:
March 27, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Ottan Thullal - B. C. Balachandar performs, Ayamkudy (India), 1984

Kota men demonstrate the tiruganāṭ dāk “turning dance” at an A. A. Bake playback session, Trichagadi (India), 1984

Description:
Twelve Kota men demonstrate the tiruganāṭ dāk / tirukanat (turning dance) counter-clockwise in a half circle behind the musicians, with one arm stretched and one arm lowered. Twirling counter-clockwise causes their skirts to flare upwards. Two men hold lowered kombu valveless curving trumpets. Musicians play a koḷ double-reed aerophone, a tabaṭk frame drum, with one stick one hand, and kaimani bronze hand cymbals; two musicians play kinpar small barrel drums. A man in Western shirt stands behind the performers, angrily gesturing to an elderly man in dhoti and shawl. A man and a woman wearing shawls stand watching beside a concrete power pole, outside a building with a tiled roof, one side of the roof in disrepair. Buildings, terraced paddy fields with a single globular tree, a row of tall trees, and a hill are in the background. In Ticgār (Trichagadi) Village, near Ooty (Udagamandalam).
Date:
April 13, 1984
Resource Type:
still image
Photographer:
Catlin-Jairazbhoy, Amy
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Kota men demonstrate the tiruganāṭ dāk “turning dance” at an A. A. Bake playback session, Trichagadi (India), 1984

Durgā-pūjā Mahotsav festival - Datta Saunke, J. R. Yadav and another musician, Dhobi Talao (Mumbai, India), 1963

Description:
Datta Saunke (nagāṙā drum pair), J. R. Yadav playing (shehnai double-reed aerophone), and another musician (surpeṭī drone) at the Durgā-pūjā Mahotsav festival, during a recording session. The festival was held at the Cross Maidan garden in Dhobi Talao neighborhood.
Date:
October 24, 1963
Resource Type:
still image
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Durgā-pūjā Mahotsav festival - Datta Saunke, J. R. Yadav and another musician, Dhobi Talao (Mumbai, India), 1963