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Event 09: Krishna Pārijāt - Bailhongal

Description:
Krishna Pārijāta is a Kannada folk drama form of northern Karnataka, an enactment of the folk tale about Lord Krishna, his two wives, and the magical parijat tree, that is typically performed upon invitation by the Holeya community at festivals. This is an arranged performance, an excerpt of 13 songs, by the Mallava Megeri Krishna Pārijāta Company. According to artist and facilitator Chandrakanta Kusanoor, it was created by a Muslim playwright. The main performers are Mallava Megeri (troupe leader), Mallakajappa Mallappa Gaddankeri (Krishna), and Gudusab Nadat Khajidoni. Accompanying musicians are Krishnaji Varad Tulasigiri (tablā), Hanamant Mastar (hmnm / harmonium with foot pump), and Ramanna Sonshi (taal).
Date:
February 21, 1984
Resource Type:
moving image
Photographer:
Jairazbhoy, Nazir Ali, 1927-2009
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 09: Krishna Pārijāt - Bailhongal

Event 04: Women's songs, bhajans - Shāhapur

Description:
Kanarese, Marathi and Sanskrit songs at a playback session of 1938 Bake recordings. Vitthal Temple precincts in the village of Shāhapur (now a suburb of Belgaum). Performed by the Sraddha Bhajan Mandal group (30 women and 3 men). Main instrument: voice. Accompanying musicians (instruments): G. A. Kulkarni (tablā), Yeshvant Bondre (pakhāwaj), unidentified musician (hmnm - harmonium). 1. Palna (name ceremony): lullaby. Kanarese. Addresses baby Lord Krishna, "Jo jo" refrain. Three singers: Sumangala Matikali (Lingayat), Shakuntala Chavan (Maratha), and Hemlata Matikali (Lingayat). In response to the 1938 A. A. Bake recording, Bake 68.6 "Kanarese Lullaby." They sang five verses, then remembered two more. 2 & 3. Seven-month pregnancy song: describes woman's experiences from first month. Three singers: Sumangala Matikali, Shakuntala Chavan, and Hemlata Matikali. In response to Bake 70.1 "Song for women in their seventh month of pregnancy" (tune not the same). The same song was recorded using the same tune sung by Dalit (Harijan) women in Bailhongal (Event 7). Interesting because different communities shared similar content (Lingayat and Dalit/Harijan). 4. Shravan (Sawan) Gauri: Gauri Arati - Mangala. Two singers: Sarala Adhyapak and Sarla Tarlekar (?). In response to Bake 69.9 "Gauri-arati song (Mangala)." Before Item 5, (12:50), there is brief talking and laughing and singing phrases from the film song "Gauri Arati - Mangala." This film song was composed by Keshavrao Bhole for the Marathi/Hindi film Kunku/Duniya na Mane (Vermilion/The World Doesn't Care) (1937). The Shahapur women sang it perfectly, and then sang their "paramparik" (traditional) version of the Gauri Mangala ritual song. The Marathi film song became the most popular version of this ritual song, even to today. 5. They sing their "paramparik" (traditional) version of the ritual song. The traditional song was sung on Tuesdays of Sravan (in August). 6. They sang the Bake version; a cinema version of the traditional song, composed by Keshavrao Bhole for the Marathi/Hindi film Kunku/Duniya na Mane (Vermilion/The World Doesn't Care) (1937). The Shahapur women sang it perfectly. The Marathi film song became the most popular version of this ritual song, even to today. 7. Sung by Sarla Tarlekar (?) and the first line is "Jai jai he sumangala." 8. The first line is "Jaya devi mangala gauri," and this version is from the film Kunku, in Marathi. 9. Hadaga "Hadaga gand hari pujite, vaje." Two singers: Aswini (Herlekar's niece) and another woman. In response to Bake 69.10 "Hadaga (girl's play)." 10. Hadaga: differs from Bake 69. 10 "Hadaga (girl's play)." 11. Child's Song. Sung by ten year old niece of Nandan Herlekar. 12. Hadaga: "Eliama pailama." In response to Bake 69.10 "Hadaga (girl's play)." 13. Tukaram Bhajan (sung by women): "Lauakar yei, yei." Singer: Nandan Herlekar and party, with hmnm, tablā, and taal. Subject: Ganapati description. 14. Kabir Bhajan (sung by women): Singer: Nandan Herlekar and party, with hmnm, tablā, and taal. Genre: Bhajan. 15. Kabir Bhajan : "Hari bolo re." Singer: Nandan Herlekar, with hmnm, tablā. Genre: Bhajan. 16. Ovi: "Nagapanchami." Singer: Mangala Bapat. 17. Ovi for a wedding: "Ghana Bariyela." 18. Ovi sung during wedding preparations: "Ghana Bariyela." 2 Singers: Sarala Adhyapak and another woman. 19. Tukaram: "Kai Sukhāhe." Two singers: Usha Khadilkar and Sunita Mahajan, with hmnm, tablā, pakhāwaj. 20. Lehra: Jugalbandhi: pakhāwaj, tablā, and hmnm. 21. Purandaradas bhajan to Lakshmi: "Bhāgyadalakshmi." Singer: G. H. Kulkarni, with tablā and hmnm. 22. Shiva tandavam (Shivatandavam) ritya. Singer: Vedmurti Nagech Shastri Herlekar. In Sanskrit, with hmnm, and tābla.
Date:
February 19, 1984
Resource Type:
sound recording
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 04: Women's songs, bhajans - Shāhapur

Event 09: Krishna Pārijāt - Bailhongal

Description:
Krishna Pārijāta is a Kannada folk drama form of northern Karnataka, an enactment of the folk tale about Lord Krishna, his two wives, and the magical parijat tree, that is typically performed upon invitation by the Holeya community at festivals. This is an arranged performance, an excerpt of 13 of the songs, by the Mallava Megeri Krishna Pārijāta Company. Artist and/or facilitator Chandrakanth Kusnoor said it was created by a Muslim playwright. The main performers include Mallava Megeri (troupe leader), Mallakajappa Mallappa Gaddankeri (Krishna), and Gudusab Nadat Khajidoni. The accompanying musicians are Krishnaji Varad Tulasigiri (tablā), Hanamant Mastar (hmnm / harmonium with foot pump), and Ramanna Sonshi (taal).
Date:
February 21, 1984
Resource Type:
sound recording
Collection:
Bake/Jairazbhoy Digital Archive of South Asian Traditional Music and Arts
Event 09: Krishna Pārijāt - Bailhongal